Friday, March 30, 2018

Nice Package! (Banishing Racer, GameBoy)

The first time I laid my eyes on Banishing Racer's box cover (don't ask me when, it's all a blur now), I thought, I need to have that!

Mind you, this was before I'd played even a single second of the game. And it was before I discovered just how much you have to pay for a copy of it these days, too.

Back then, though, neither of those things mattered. All I cared about was the brilliantly colorful illustration that's showcased in the photo below.


OK, so I also liked its name. Banishing Racer. Or Vanishing Racer, as some prefer. Not that the latter makes any more sense than the former.

Whatever. I thought it was silly. And kind of appropriate, considering the game is a bizarre side-scroller that stars an anthropomorphic car. (The cross-eyed green one that's front and center on the Banishing Racer cover, above.)


If a platformer with a four-wheeled protagonist sounds somewhat familiar, that's probably because you've played-or heard of--another Jaleco-made game, 1985's City Connection.

Although I don't believe the now-defunct developer and publisher ever specifically declared Banishing Racer to be an official or even spiritual follow-up to that arcade (as well as Famicom and NES) classic, it sure seems like it at least has to be the latter.


Regardless, this Japan-only GameBoy release is a unique and mostly entertaining offering.

I say "mostly" here because controlling the begloved bug--or whatever type of auto it's supposed to be--that serves as Banishing Racer's main character isn't always effortless, the game's difficulty wavers wildly between cakewalk easy and pull-your-hair-out tough, and it includes a measly 15 stages (a couple of which are painfully short).

But it also looks and sounds great (see and hear what I mean by checking out this Banishing Racer longplay), plus it's simply fun to play a side-scrolling action game in which you're plopped into the shoes--or, erm, wheels--of something other than a person or an animal.


For me, Banishing Racer's positive attributes outweigh its negative ones in the end, although I acknowledge that not everyone feels this way. The proprietor of one of my favorite retro-gaming blogs, VGJUNK, certainly doesn't share my love of this cart, and I've had conversations with a number of other folks who similarly turn their noses up at it.

I'll bet even they have a soft spot for Banishing Racer's box art, though; and its cartridge label and instruction manual cover, too.


Disappointingly, the Banishing Racer manual isn't as wonderful as you probably expect it to be given the game's key art. It's not terrible, but it's also not chock-full of grin-inducing illustrations. Don't take my word for it; you can decide for yourself when I feature it in an upcoming "Manual Stimulation" post.

In the meantime, what do all of you think of the Banishing Racer packaging shots showcased in this post? And what do you think of the game itself, if you've ever played it?

See also: previous 'Nice Package!' posts about Burning Paper, Noobow, Penguin-kun Wars, and Shippo de Bun

Tuesday, March 27, 2018

Manual Stimulation: Lolo no Daibouken (GameBoy)

It pains me to admit this, but as much as I've always loved the idea of HAL Laboratory's Adventures of Lolo (or Eggerland) games, I've never been very good at them.

In fact, no matter which one I play, I only ever seem to get a handful of levels in before I bail because I become hopelessly stuck.

That includes, of course, the game that's the focus of this blog post, 1994's Lolo no Daibouken (Lolo's Great Adventure, basically).



Thankfully, I was pretty sure that would be the case when I bought the copy that provided me with the instruction manual you see here.

Speaking of this manual, it was one of the main reasons I picked up Lolo no Daibouken. So many Japanese GameBoy instruction booklets have blown me away in recent years; surely this one would continue that trend, right?



Sadly, I can't say it does. The Lolo no Daibouken manual is by no means a dud, but it's also not as fabulous as I expected it to be.



It certainly gets off to a good start, with the beautiful cover that can be seen in the first scan above.



After that, though, there's nary an illustration of Lolo or Lala to be found--other than the one that appears in the upper-left corner of nearly every page.



That's quite a missed opportunity on the part of publisher Imagineer, if you ask me. I can't help but wonder if the manual that accompanied the game's European release, which was published by Nintendo in 1995, is better in this regard or if it's similarly disappointing.



Oh, well, at least readers get to ogle a bunch of rose-tinged screenshots, right?



I say that somewhat facetiously, although I've also got to admit some of the screen grabs that are used near the end of the Lolo no Daibouken manual are pretty darn nice.



Unsurprisingly, perhaps, I like the ones of the game's enemies the best. Still, I would've preferred seeing those baddies depicted using good old pen and ink.

Now that you've had a chance to take it all in, what do you think of the Lolo no Daibouken instruction manual? And what do you think of the game itself--if you've ever played it?

See also: previous 'Manual Stimulation' posts about Bubble Bobble Junior, Penguin LandSnow Bros. Jr., and Tumblepop