Tuesday, February 19, 2019

Manual Stimulation: Popeye (GameBoy)

Don't feel bad if this is the first you're hearing of this game.

After all, it was only released in Japan and it was both made and published by the unheralded Sigma Enterprises, Inc.

Plus, it isn't exactly a gem. It also isn't a turd, though. So what is it? Ignoring discussions of its quality for a second, this portable Popeye is, at its core, an overhead action game set in a handful of maze-like stages. Some folks might even call it a Pac-Man clone, although I wouldn't go that far myself.

Regardless, it's an enjoyable enough GameBoy title.

Another enjoyable aspect of this 1990 release: its instruction manual.



Things get off to a rather iconic start with the cover illustration seen above.



The game's story comes next--not that I can tell you anything about it. Maybe some kind reader can translate it for those of us who know little or no Japanese?



Next up, we've got a page detailing Popeye's controls and game modes. Interestingly enough, the two-player mode allows one person to control the husky, bearded Bluto--I'm guessing in a race to win the heart of Olive Oyl?



The spread above highlights Popeye's cast of characters. Swee'Pea is the baby shown at the top of the right-hand page, by the way, while the guy beneath him is Wimpy.

Oh, and those creatures near the bottom of the same page? Bluto tosses them around each stage to trip you up. Run into one of them and you'll be knocked out for a few precious seconds.



As you might expect, the Popeye instruction manual includes a page about the game's items. Sadly, there are only two: a can of spinach and a heart.

The can of spinach flies across a level at seemingly random moments. Catch it, and not only does Popeye become faster and stronger (the latter makes it easier to beat Bluto in a tussle), but he also can topple any obstacle that gets in his way, such as an alligator, a cannon, or even a hamburger.



The folks who pieced together the Popeye manual waited until the seventh page to explain how the game works. That explanation continues on pages eight and nine.

I'll do a deeper dive into this in an upcoming review of the game, but here's the gist for now: to clear each stage, you need to grab the hearts that are lying around, find Olive Oyl, and save Swee'Pea. Swee'Pea only shows up after you've accomplished the first two tasks, though, so start with those.



I'm not entirely sure what information the left-hand page above is supposed to pass along to readers, to be honest, though I think it may be giving hints on how to beat Bluto in the one-on-one fights that happen whenever he and Popeye touch.



The manual wraps up with some words about Popeye for GameBoy's two-player mode. I've yet to experience this mode myself, so I sadly can't tell you how it differs from the solo campaign (if at all).

See also: previous 'Manual Stimulation' posts on other Japan-only GameBoy games like Astro Rabby, Burning Paper, Noobow, and Peetan

Monday, February 04, 2019

To whom it may concern: I bought 15 3DS games in 2018

Actually, I bought 16 3DS games last year if you count my Japanese and North American copies of Dillon's Dead-Heat Breakers separately.

Which other 3DS games did I purchase in 2018?
  • 7th Dragon III Code: VFD
  • The Alliance Alive
  • Captain Toad: Treasure Tracker
  • Creeping Terror
  • Dillon's Rolling Western
  • Ever Oasis
  • Jake Hunter Detective Story: Ghost of The Dusk
  • Kid Icarus: Uprising
  • Luigi's Mansion
  • Monster Hunter Stories
  • Shin Megami Tensei: Strange Journey Redux
  • Sushi Striker
  • WarioWare Gold
  • Witch & Hero 3
The most impressive aspect of this whole thing--or at least it's impressive to me--is only three of the 3DS titles I picked up last year were small eShop offerings. All the rest were full-fledged (and often full-priced) experiences.



Also, I finished five of the games mentioned above and put a good dent into two others by the time the year came to a close. (The Alliance Alive, Creeping Terror, Luigi's Mansion, Sushi Striker, and WarioWare Gold make up the first batch of titles, while the second consists of Dillon's Dead-Heat Breakers and Shin Megami Tensei: Strange Journey Redux.)

Although there's no doubt in my mind I'll buy fewer 3DS titles in 2019 than I did in 2018, I don't expect that number to drop to zero.

In fact, zero is an impossibility at this point, as a couple of weeks ago I purchased a copy of Kirby Triple Deluxe.

And not only that, but two other 3DS carts--Etrian Odyssey Nexus and Yo-kai Watch 3--are on their way to me as we speak. Two others--Kirby's Extra Epic Yarn and Persona Q2 will join them in March and June, respectively.

Plus, I'm seriously considering picking up Detective Pikachu, Etrian Mystery Dungeon 2, Persona Q, and Yo-kai Watch Blasters as well.

I don't suppose any of you are still buying and playing 3DS games these days? If you are, let me know which ones you're planning to buy or play this year in the comments section below.

Saturday, January 19, 2019

How I spent my time with video games in 2018

I don't know about you, but the 3DS has spoiled me as far as tracking the time I spend with games is concerned.

And let there be no doubt: I like tracking the time I spend with games.

Why? I honestly have no idea. I guess it's just pure curiosity--as in, I think it's interesting to see how much time I put into the games I play (especially ones I finish).

Anyway, because none of my other systems track play time like my 3DS does, I have to track it the old fashioned way--by keeping my eye on the clock as I play and then compiling the results in a text file after I'm done.

That's what I did to come up with almost all of the figures you see below, which represent how I spent my time with a variety of video games in 2018:

  • Sweet Home (Famicom)—12 hours, 10 minutes
  • Death Mark (Switch)—11 hours, 20 minutes
  • Space Dave! (Switch)—10 hours, 30 minutes
  • Luigi’s Mansion (3DS)—10 hours, 25 minutes
  • Undertale (Switch)—9 hours, 05 minutes
  • Dillon’s Dead-Heat Breakers (3DS)—7 hours, 15 minutes
  • Tobu Tobu Girl (GameBoy)—5 hours, 45 minutes
  • Creeping Terror (3DS)—5 hours, 00 minutes
  • Phantasy Star (Master System)—4 hours, 45 minutes
  • The Legend of Zelda: Breath of the Wild (Switch)—4 hours, 30 minutes (plus 7 hours, 45 minutes from 2017)
If you'd like to learn a bit more about some of these games, by the way, click on the links above.

Also, do you keep track of how much time you spend with games? If so, share your 2018 stats with me via a comment.

See also: how I spent my time with video games in 2017, 2016, 2015, and 2014

Wednesday, January 02, 2019

My favorite games of 2018 that aren't Black Bird or Sushi Striker

In my last post, I declared Black Bird and Sushi Striker my absolute favorite games of 2018.

While wrapping up that write-up, though, I said I liked a handful of other 2018 titles nearly as much as that pair of headline-grabbers.

The seven games highlighted here represent the "handful" in question.



The Alliance Alive (3DS)--Earlier in the year, I was all but certain this Cattle Call-made RPG would be my game of the year. Then Sushi Striker came out. And Octopath Traveler. And Undertale And Black Bird.

In the end, The Alliance Alive didn't quite hold up as a "GOTY" contender. Still, playing through it was one of my most delightful gaming experiences of 2018, no question.

Why? For starters, I found its battles absolutely thrilling. That's mainly due to how its "awakening" and "guild" systems interact with and spice up these turn-based brawls, though I have a feeling they'd still be plenty riveting even without such embellishments.

The Alliance Alive wrapped me around its little finger for a few other reasons, too. Among them: its quirky cast of characters, its surprisingly varied--and oftentimes subtle--soundtrack, and its creepy "water devil dens" (optional dungeons, basically). (For more on these and a couple of other positive aspects of the game, read my post, "Five things that made it really easy for me to put more than 60 hours into The Alliance Alive.")

Given this title's association with and relationship to the much-maligned Legend of Legacy, I can't fault folks for passing on it. The fact is, though, The Alliance Alive is a far more accessible and straightforward RPG than that 2015 release.

As such, if you're up for embarking on a portable adventure and you're not opposed to whipping out your 3DS once more, I'd highly recommend picking up a copy of this Atlus-published (in North America) cart.



Dark Souls: Remastered (Switch)--If you had told me before I started playing it that this updated port of FromSoftware's tough-as-nails action game would be among my year-end favorites, I would've laughed in your face.

After all, it's not the kind of game that usually trips my trigger, as the saying goes. As a recent post of mine points out in its headline, I typically prefer cute games to gory or scary ones.

That may be true, but it's also true that it didn't take me long to become suitably impressed with Dark Souls' careful, stealthy gameplay. It helped, of course, that Remastered proved to be quite a bit less difficult than I assumed it would be.

Full disclosure: this is one of the few games included here that I've yet to finish. And not only that, but I have a sinking feeling I may never see its end credits. Even with my playthrough of it in an incomplete state, though, I consider Dark Souls: Remastered to be one of the true standouts of 2018.



Octopath Traveler (Switch)--As was the case with The Alliance Alive for a short while, I once assumed this highly anticipated Square Enix release would be my top pick for 2018.

You already know what happened after that.

I've got to say, though, if I'd made my "absolute favorite games of 2018" post about three rather than two titles, Octopath Traveler would have made the cut. (And if it'd been about four? The Alliance Alive would've been squeezed in, too.)

Although this SaGa-esque role-player has its share of issues (learn about them in this write-up on the "10 things I'd change about Octopath Traveler if given the chance"), it's still squarely a "my cup of tea" title.

What does that mean? For one thing, it means it brings to mind some of the classic JRPGs of my youth, like Final Fantasy IV, V, and VI. But it also means it's a bit weird--à la, say, SaGa Frontier. And it means it offers up some modern flourishes, too.

That hardly does justice to just how ambitious, affecting, and arresting Octopath Traveler is, however. It's filled with so many exquisite details that unpacking all of them here would be impossible. I tried to do so in another post earlier this year, though--"10 things I adore about Octopath Traveler."



Pokémon: Let's Go, Eevee! (Switch)--My interest in the Pokémon series has dropped so low in recent years that I barely even thought about pre-ordering Let's Go before it hit digital and retail store shelves in mid-November.

For whatever reason, though, I had a shocking change of heart right after it dropped. Boy, am I glad I did. Following a rough--or maybe I should say yawn-inducing--start, I fell deeply in love with this title's vibrant world, adorable creatures, and jubilant soundtrack.

I fell in love with its snappy battles, too--which may surprise those of you who are used to complaints being leveled at this area of the game.

You know what else impressed me about Let's Go? It never drags and doesn't overstay its welcome. That's something to crow about in an age when most role-playing games do whatever they can to keep you playing for 60, 80, even 100 hours or more.

Want to read more about my experience with this Switch title? Check out this recent post: "How Let's Go renewed my interest in Pokémon."



Shin Megami Tensei: Strange Journey Redux (3DS)--A little something you might not know about me: I'm a real apocalypse buff.

Specifically, I love reading apocalypse novels. (Though I enjoy a good apocalypse film now and then, too.)

So why did I wait until Redux's release to hop aboard the Strange Journey train? Because I had no idea an apocalypse was at the heart of this Shin Megami Tensei spinoff. In fact, I only decided to check it out after a Twitter friend compared its story to that of Annihilation.

You know what? That person was right. Strange Journey Redux's vibe is very similar to the one that permeates Jeff VanderMeer’s blockbuster. In other words, it's bleak, unnerving, suffocating--and kind of awe-inspiring, too.

Combine that with the game's innovative battles (you can chat up enemies and entice them to join your party if you're a sweet-talker) and impressive soundtrack and you've got a dungeon-crawler that's well worth exploring in either its original or updated form.



Space Dave! (Switch)--This Space Invaders clone is right up there with The Alliance Alive, Black Bird, and Sushi Striker as candidates for the title "most painfully overlooked and underappreciated game of 2018."

In my humble opinion, of course.

Actually, comparing Space Dave! to Black Bird is especially apt, if you ask me. Both of these 2018 releases take inspiration from some bona-fide classics and then turn that source material into something spectacularly unique.

If you're waffling between the two titles, by the way, I might recommend you check out Space Dave! first. It's typically half the cost of Black Bird, and it's decidedly more approachable than Onion Games' offering.

It's also a meatier experience. I've yet to encounter its credit roll despite putting more than 10 hours into it, for instance. Which isn't to suggest that's the goal of this game (it's more of a high-score affair); rather, it's to suggest you'll see a whole lot more than four "boards" while playing Space Dave!

For more on this Jason Cirillo-made shmup, see this write-up of mine: "A few thoughts on Space Dave! now that I've put nearly 10 hours into it."



Undertale (Switch)--I'm kind of embarrassed to admit this now, but here goes anyway: one of the main reasons I never put more than about an hour into Toby Fox's much-ballyhooed RPG before I got my hands on its Switch port was its cult-classic status irritated me.

Thankfully, those irrational feelings of annoyance didn't get in the way of me playing this iteration of the game right through to its credit roll.

As those of you who've completed Undertale might expect, I've since slapped myself silly for passing on it for so long. If I were forced to use just one word to explain why I responded to the experience in that way, I'd go with touching. So many people have compared Undertale to EarthBound that I was prepared for it to be wacky. But I had no idea it'd be so poignant.

Between that aspect of this game and its brevity, you can bet your sweet bippy I'm going to play Undertale again and again in the coming years.